Some might consider this to be a bit of a boutique lens, but I was very impressed with how well it performs. There are other less expensive 35mm options available for Sony but the Sigma 35mm f/1.2 far outperforms them in terms of bokeh and low light performance. At over 1,000 grams, it’s not something you want to carry around all day long. The only downside I found with this lens is increased size/weight. However, I would expect this lens to be consistently excellent based on Sigma’s standards and reputation. The Sony 35mm f/1.4 is known to have some variation in manufacturing (some copies are excellent, some are a bit soft). Although this should be expected when you factor in its size/weight.īeing the fastest auto focus lens available for Sony, this lens is good value! If you seek top of the line performance, this lens delivers.Īt around $1,500, this lens is similarly priced to the native Sony 35mm f/1.4 but delivers a faster aperture and better image quality. Overall, this lens is very impressive when it comes to image quality. Typically I enjoy bokeh when shooting on an 85mm telephoto lens, but this lens opens up new opportunities to play with bokeh. I loved shooting shallow depth of field images even with this somewhat wide lens. At f/1.2, this lens throws the background into a beautiful blur which really helps to isolate the subject. Most notable about the Sigma 35mm f/1.2 is the ability to create incredible bokeh. It seems that this lens in not only the fastest auto focus lens for Sony, but also the best optical performer out of the 35mm offerings for Sony E-Mount. Even when zooming in to 300%, the images were almost perfectly sharp edge to edge, even when shooting at f/1.2.Ĭroma and distortion were well controlled and completely eliminated when the lens profile is added in Lightroom. It felt like the sharpness of the images was limited by the resolution of my Sony a7III camera more than this lens. I was very impressed with how sharp this lens rendered images and I felt that it was designed for future increases in resolution (even beyond the 61 megapixel Sony a7R IV). When it comes to image quality, the Sigma 35mm f/1.2 is top notch! It delivers extremely sharp images, even at f/1.2. All the controls were easily accessible and it felt as nice as any of the Sony G-Master lenses. The design included a metal body and a firm build that seems like it will last a long time.Īlthough a bit on the heavy side, it feels great in your hands. The Sigma 35mm f/1.2 felt well built and very sturdy for its size. Many people like to use it for eye auto focus. This allows you to create another customizable button that can be set to a variety of features. Sigma also added the handy feature of a focus hold button. I occasionally bump the ring and it slipped into manual aperture control causing me to briefly get confused about why I couldn’t adjust my aperture from my camera dial. My only complaint with the manual aperture ring is that it could use a firmer click into the automatic position. The de-click switch is located right next to the autofocus / manual focus switch. Video shooters will enjoy the de-click feature that allows you to change aperture with a smooth/silent rotation of the ring. It is an enjoyable tactile experience to rotate a dial to control camera aperture – it also makes changing it a snap. One of the other features that I really enjoy on this lens is the manual aperture. This lens is extremely sharp and the bokeh is incredible. What I didn’t realize was how cool the features were that offset the downside of big/heavy. Obviously, with a maximum aperture of f/1.2, the lens is going to be big. When you first pick up the Sigma 35mm f/1.2 the first thing you notice is its weight.
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